![]() What I was trying to play is, Spike comes back from getting a soul. Right after Columbine, we had a student up in a bell tower right about to shoot. There were a lot of times on Buffy that things were talked about that other shows would shy away from. So it all worked in the larger arcs and all worked, dramatically speaking. When we switch the sexes like that, it may not work like you want it to work, but it was perfect in a way, because it was necessary for Buffy to realize she was in an unhealthy relationship, it was essential for Spike to realize he was well short of worthy for Buffy, so that would motivate him to try and get a soul. I’m attempting to rape everyone in the audience. Basically, we are giving them a vicarious experience of rape. Anyone who’s watching Buffy, if it’s working, is Buffy. We convince you to climb behind the eyes of the lead. The way storytelling works is, you give a vicarious adventure to the audience. In that storyline it’s more complicated than that. Smash him with a lead pipe over the face. Normally I would say if a guy does that to you, get away. He was doing it out of a twisted kind of love. Spike wasn’t just doing it for sadistic fun. It seems incredibly well thought-out and nuanced and important. The thinking was, since Buffy is a superhero and has the power to throw Spike through a wall, it was okay to switch the sexes.Īlso the idea that this is somebody she has gotten close to, and has had sex with in the past, complicates matters. It was an incredible gift that she was willing to share that with the world. She really threw herself on him and he had to throw her off. In college, she got broken up with by her boyfriend and went over to his dorm room, convinced that if they made love one more time everything would be fixed. In this case, the idea for the script came from one of the female writers. Then slap fangs on top of that secret and tell the world. ![]() What happened on Buffy and the reason it’s lasted is they asked writers to come up with their worst day. It’s my little red button, I don’t like to press it. I don’t like to watch content with scenes like that. That was the hardest day of my professional career. I remember thinking about this in college the idea of, “How do you go forward trusting somebody after they do something like that?” I don’t think the answer is as simple as “he didn’t have a soul and now he’s got one and he won’t try that shit again.” It was definitely a precursor to the conversation about “grey rape.” And yet, Buffy still needs Spike on her side. Like the episode where, after having this relationship with Buffy, Spike tries to force himself on her in the bathroom. ![]() There is so much on Buffy that in retrospect is way ahead of its time. When you resurrect the Judge he has a line about you and Dru smelling bad because there is a deeper soul connection there. I just fell in love with you again.”īut back then he was supposed to be kind of a jerk boyfriend, because he was going to get killed by Angel and she was going to take up with Angel, so Spike was being set up so the audience was not going to feel so bad when he got killed off. My favorite thing about is you is that you are seeing the stars, but it’s the ceiling. I decided to rest my chin on my hand like, “You are so weird and that’s what I love about you. That line is actually the one I had to deal with the most. Then you find the gold in the mountain, and then you have the rocket fuel and you can go anywhere. It could be love denied, love twisted, it doesn’t have to be sweet, but you have to find the love. I always say when you are doing anything in art, you got to find the love. No problem dude.” He turns his back and I’m like, “No way in Hell.” If you play it like that, the audience has nothing to grab onto and there’s no reason not to kill you off. So you have no soul, that’s your character.” That’s why you guys are ugly and horrific when you bite someone and I don’t want that to be a sensual moment. I’m not interested in vampires that we feel for. Vampires on this show are a metaphor for all the trials of being a teenager. I was pulling out all the stops in order to not get killed off. I was watching from Season 2, you were always a more three-dimensional character. You’ve said in interviews that you approached playing Spike from the beginning as if he had a soul.
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